Selected essays and articles
'Words that swim between us' TEXT Special Issue: Indian-Australian exchanges through collaborative poetic inquiry, 2020
'A sudden ecstasy of stars'. In Meniscus, 2020
'Contemplating language as 'an edge that never arrives' in Emily Dickinson's poetry' TEXT Special Issue, PERIPHERAL VISIONS, 2019
‘Trump-l’oeil’ or ‘Trump-l’oreille’? Apophasis and the grotesque in the e(a)ra of fake news’ Axon Capsule 4 (Special Issue), Writing from the UK, April 2019
'Write into the Unsayable: Apophatic Strategy and Poetic Practice' Axon: Creative Explorations, Vol 7, No 2, (December 2017), ISSUE 13: CONTEMPORARY BOUNDARY CROSSINGS AND WAYS OF SPEAKING POETICALLY
'Witches’ butter, golden spindles, bell-shaped mottlegill: the multiple identities of the prose poem' (October 2017) TEXT Special Issue 46, Beyond the line: contemporary prose poetry
'Going by "The Way of Dispossession": Apophasis and Poetry' (2016): Authorised Theft : Refereed conference papers of the 21st Annual AAWP Conference
A creative response to In a café (The Absinthe drinker), c. 1875–76 in Gallery Magazine, National Gallery of Victoria, (Jul-Aug 2016)
"A pattern more complicated": breaking out of words in order to break into them, Westerly 59,2 (November 2014)
'Measuring the land: five days in the Pilbara', Larry Mitchell: A Pilbara Project Exhibition (Perth: FORM, February 2012) read here
Untitled essay, Port: an exhibition by David Hooper (Perth: FORM, 2011) view here
'Carrying the story: seeing beyond the painting', Ngurra Kuju Walya: One Country One People: Stories from the Canning Stock Route. (Melbourne: Palgrave MacMillan, 2011)
Journal extracts, The Pilbara Project: field notes and photographs (Perth: FORM, 2011) read samples here
'Words that swim between us' TEXT Special Issue: Indian-Australian exchanges through collaborative poetic inquiry, 2020
'A sudden ecstasy of stars'. In Meniscus, 2020
'Contemplating language as 'an edge that never arrives' in Emily Dickinson's poetry' TEXT Special Issue, PERIPHERAL VISIONS, 2019
‘Trump-l’oeil’ or ‘Trump-l’oreille’? Apophasis and the grotesque in the e(a)ra of fake news’ Axon Capsule 4 (Special Issue), Writing from the UK, April 2019
'Write into the Unsayable: Apophatic Strategy and Poetic Practice' Axon: Creative Explorations, Vol 7, No 2, (December 2017), ISSUE 13: CONTEMPORARY BOUNDARY CROSSINGS AND WAYS OF SPEAKING POETICALLY
'Witches’ butter, golden spindles, bell-shaped mottlegill: the multiple identities of the prose poem' (October 2017) TEXT Special Issue 46, Beyond the line: contemporary prose poetry
'Going by "The Way of Dispossession": Apophasis and Poetry' (2016): Authorised Theft : Refereed conference papers of the 21st Annual AAWP Conference
A creative response to In a café (The Absinthe drinker), c. 1875–76 in Gallery Magazine, National Gallery of Victoria, (Jul-Aug 2016)
"A pattern more complicated": breaking out of words in order to break into them, Westerly 59,2 (November 2014)
'Measuring the land: five days in the Pilbara', Larry Mitchell: A Pilbara Project Exhibition (Perth: FORM, February 2012) read here
Untitled essay, Port: an exhibition by David Hooper (Perth: FORM, 2011) view here
'Carrying the story: seeing beyond the painting', Ngurra Kuju Walya: One Country One People: Stories from the Canning Stock Route. (Melbourne: Palgrave MacMillan, 2011)
Journal extracts, The Pilbara Project: field notes and photographs (Perth: FORM, 2011) read samples here